Coming Out of the Cave!

Over the last several weeks I've been in my cave heads down writing, attended the RT Convention in Chicago, and back to heads down writing.
It was my first experience at RT and I thoroughly enjoyed it. It's wonderful to immerse yourself with other authors that speak the same language. Who else understands what you mean when you say you talk to imaginary people and they answer you. Jimmy Stewart and his Harvey would fit right in. I reconnected with old friends, met many new ones, and had fan girl moments with some of my favorite authors.

With Scott and Brooks at RT

The RT Convention has a reader component that I found exciting. It was a wow moment when a group of readers at the Carina Press cocktail party rushed to meet me. Yes, my signature was the last one they needed for the drawing for the iPad but the excitement was still the same.

I've also walked out of the cave to join fellow authors on a live chat at Night Owl Reviews. I finally had the courage to request a review of Knight of Runes. My Dear Husband is my 'taster.' In historic times, tasters sampled the food before it was served to the king. My 'taster' samples the review and deems it OK for me to read. He was as excited as I was with this review. It scored 4.5/5.0. It's a Top Pick!

I've read two articles this week that I think you might find interesting. Both are from Writer's Digest.

One article is on How to Use Pinterest to Market Your Book. The article by Rob Eagar is very interesting. The statistics in the article are eye openers. I love pictures but when I read a book what I love more is envisioning things my way. But Mr. Eagar clearly states that Pinterest is the 3 largest social network behind Facebook and Twitter.

The other article is Amazon Let's Authors Spy on Reader. The author, Phil Sexton, sees some innovative promotional opportunities for authors.  One of which is looking at what someone highlighted in their Kindle when they read your book.

Enjoy the articles. I hope you read the review. Have a great week. Now... back to the cave!

10 Ways to Launch Strong Scenes

I read an article by Jordan E. Rosenfeld on Writer’s Digest about beginning new scenes.  If you prefer not going to article, I've pasted most of it here in his own words. 

A story is made up of a progression of scenes that are glued together with narrative. The scenes progress the story and takes us from beginning through to the end. Each new scene must move the story along and keep the reader engaged and, well, reading. To do that, every scene must have a purpose and must recapture your reader’s attention.

To deliver to their readers, writers should ask themselves these two questions when beginning a scene:

• Where are my characters in the plot?  
• Where did I leave them and what are they doing now?

What is the most important piece of information that needs to be revealed in this scene?

There are three ways to begin a scene: Action, Narrative, and Setting

ACTION

Time and momentum are critical in the action scene. To build the momentum the action must start quickly and must show (not tell) the reader what is happening without any explanation

Action launches tend to energize the reader’s physical senses. To create an action launch:

1. GET STRAIGHT TO THE ACTION. Don’t drag your feet here. “Jimmy jumped off the cliff” rather than “Jimmy stared at the water, imagining how cold it would feel when he jumped.”

2. HOOK THE READER WITH BIG OR SURPRISING ACTIONS. An outburst, car crash, violent heart attack or public fight at the launch of a scene allows for more possibilities within it.

3. BE SURE THAT THE ACTION IS TRUE TO YOUR CHARACTER. Don’t have a shy character choose to become suddenly uninhibited at the launch of a scene. Do have a bossy character belittle another character in a way that creates conflict.

4. ACT FIRST, THINK LATER. If a character is going to think in your action opening, let the action come first, as in, “Elizabeth slapped the Prince. When his face turned pink, horror filled her. What have I done? she thought.”

NARRATIVE
Narrative summaries such as backstory or upcoming action distract and interrupt the reader. It can take the reader out of the story. However, it can be effective if it’s not too long.

A narrative approach is best used with the following strategies:

5. SAVE TIME BY BEGINNING WITH SUMMARY. Sometimes actions will simply take up more time and space in the scene than you would like. A scene beginning needs to move fairly quickly and, on occasion, summary will get the reader there faster.

6. COMMUNICATE NECESSARY INFORMATION TO THE READER BEFORE THE ACTION KICKS IN. Sometimes information needs to be imparted simply in order to set action in motion later in the scene. Opening sentences such as, “My mother was dead before I arrived,” “The war had begun” and, “The storm left half of the city underwater,” could easily lead to action.

7. REVEAL A CHARACTER’S THOUGHTS OR INTENTIONS THAT CANNOT BE SHOWN THROUGH ACTION. Coma victims, elderly characters, small children and other characters sometimes cannot speak or act for physical, mental or emotional reasons; therefore the scene may need to launch with narration to let the reader know what they think and feel.

SETTING

To me, setting is a dramatic tool and is as important as one of the characters in a story. It sets the mood and gives the reader a place ‘to be.’  Where you place that description can add to the drama.  

Using setting can be effective in the following instances:

8. ENGAGE WITH SPECIFIC VISUAL DETAILS. If your character is deserted on an island, the reader needs to know the lay of the land. Any fruit trees in sight? What color sand? Are there rocks, shelter or wild, roaming beasts?

9. USE SCENERY TO SET THE TONE OF THE SCENE. Say your scene opens in a jungle where your character is going to face danger; you can describe the scenery in language that conveys darkness, fear and mystery.

10. REFLECT A CHARACTER’S FEELINGS THROUGH SETTING. Say you have a sad character walking through a residential neighborhood. The descriptions of the homes can reflect that sadness—houses can be in disrepair, with rotting wood and untended yards. You can use weather in the same way. A bright, powerfully sunny day can reflect a mood of great cheer in a character.

Scene launches happen so quickly and are so soon forgotten that it’s easy to rush through them, figuring it doesn’t really matter how you get it started. Don’t fall prey to that thinking. Take your time with each scene launch. Craft it as carefully and strategically as you would any other aspect of your scene. Remember that a scene launch is an invitation to the reader, beckoning him to come further along with you. Make your invitation as alluring as possible. ~ Jordan E. Rosenfeld

How do you decide how to start a scene? Do you have a favorite style?

ANNOUNCEMENT: December 16 I'll be participating in the week-long Mistletoe Madness Blog Hop. I hope you join in for reading fun and giveaways. The grand prize is a Nook pre-loaded with books by participating authors.